Why to Go and See Stomp the Music
The phrase stomp originally began with two buskers dazzling the streets of Brighton, UK with music, their catchy performance hooking in bystaders to stop, view, and listen. Created by Steven McNichols and Luke Cresswell in Brighton, UK, the music STOMP debuted in the Orpheum Theatre in February 1994. The music STOMP can also trace a few of its roots to Booth Theatres erected at the Village Fairs in the Middle Ages and Renaissance period- an old custom in that period. In contrast to any other music, STOMP challenges the concept of what constitutes audio. Eight nightly performers play basic and complex rhythms from every day things, such as six foot poles, sand, brooms, lids, litres of water, and aluminum bins. Via dance and music, the group collaborates with each other to play audio, as well as providing person self-expression. STOMP is really a sensual blend of comedy, percussion, and energetic movements. The musical STOMP is the unique design of Steven McNichols and Luke Cresswell that captalizes on a ‘less is more’ philosophy. It is a passionate production, not effortlessly classified into a specific music or theatrical type. Through the absence of melodies, the audience listens to audio obtaining broken down into basics as eight chiseled and lively performers pound out rhythms with common objects: poles, drumsticks, match boxes, water, brooms, bins, and lids. Ironically, the ordinary high quality of these things catapults STOMP to an artistic level unrivalled by other modern theatrical acts. The ease in which the cast manipulates their ‘instruments’ and body stretches the imagination into an exciting reality. The set design is flashy and colorful at times; a more elaborate metal construction displays instruments that are struck by performers harnessed from the ceiling. This restriction frees the cast to use their feet, legs, and arms to produce loud group rhythms which shake the rafters and audience with it’s intense, tribal rhythms. These in-your-face cadences are a powerful avenue for individual and collective expression, leaving many on the edge of their seats. STOMP’s lack of fancy performer outfits keeps the focus on what truly counts: dance moves and musical rhythms, which turn out to be more complicated with every subsequent scene. Subtlety is also used to balance out these raw rhythms.One scene is focused around performers tapping six foot poles, as they stealthily circle the stage, almost preying on each other with their sly moves and rhythms. Their sense of correlation is palpable and sensual, cast eye contact stimulating the anticipation, as you nearly find yourself questioning who is going to ‘win’ at this music game. Yet, everybody wins, the audience even invited into the overall performance via a cast member who initiates a clap-and-response session. Roughly two hours in duration, STOMP keeps one’s attention, making you wonder how items generally reserved for math difficulties, cleaning, and construction projects can entertain and produce a powerful musical group dynamic. In this age of modern technology, STOMP is a refreshing blend of primal instincts meeting music genious, reminding us of the musical and rhythmic potential right under our noses. Discover more info about the musical and buyStomp Tickets on the internet